A Long and Winding Road

Last week, I posted about how my book Fourteen Stones arrived “in the ink,” and how I got to see it for the first time. The best feeling.

We did it! 🙂

Book publishing is a strange game. In the writing process, you devote yourself for months or years to something that exists nowhere except inside your own head. Translating it to the page can be exhilarating and exasperating. It can make you cry, in good ways and not-so-good ways. And sometimes – hopefully often! – it can make you smile.

Then, one day, it’s finished. The story exists on paper. Now what?

For so many of us, the answer is publication. What else can you do with something you’ve devoted so much time to? If other people like it, you must have done something good. So you begin to send it out. Rejections come in, in ones and twos and by the basketful. Roadblocks spring up in front of you.

Time to cry over the book again. What do I have to do? Is this really any good? I did that with Fourteen Stones, many times. Friends assured me the book was great. You’ll publish it, don’t worry. And even, When you do, you’ll never have to worry about jobs again. I don’t know about that second part. But I did, after much searching, luck into a publisher who loves the story as I do.

The experience of publishing Fourteen Stones was entirely different than it was with my first book, To Love A Stranger. This time, there was no “institution” signing off on my work: it was just me and one woman, Jax Goss at the Patchwork Raven, on opposite sides of the world. The project moved along gently. We agreed on edits and artwork. We crowdfunded the first print run: a new idea to me, but it makes a lot of sense when you think about it. Jax and I didn’t have to stick our necks (or wallets) out on an investment we might not recoup.

The first boxful!

There was very little fanfare. No hustling for advance reviews. No leadup to a stressful/expensive launch. With support from amazing friends on both sides of the world, we hit the crowdfunder target, the book went to print, and it was produced and shipped from New Zealand. It’s been making its way to other parts of the world ever since.

During the process, I did sometimes get caught up in “what didn’t happen:” the agent I stopped trying for, the way I let go of the idea of a big publishing house and all the possible clout of “the system.” I asked myself over and over if by walking away from all that, I really did the right thing. Sometimes I was afraid that this book was the best work I would ever do, and that bringing it out in this quiet way would mean it would disappear.

But I don’t think that’ll happen. For one thing, I learned so much by writing it, all of which will go into other books (I hope!) and make them stronger. For another, the care and attention that went into the copies I unboxed last week are exactly what this book deserved. Every moment of the writing process, from first brainstorming to final revisions, gave me great joy. In publishing it, Jax wanted to make something beautiful, and that’s exactly what she did.

Templeton gives Mom’s book two paws up.

And I don’t think it’ll disappear, because it now has a life of its own. Readers will visit my fictional countries, Namora and Lassar. They’ll get to know the people who started out as my creations, but who quickly took off in their own directions, with lives and histories and challenges. For me, the most important thing about sharing Fourteen Stones isn’t what I did as a writer, or what the book is like as an object, but how the story can take flight through the imaginations of the readers it finds. I hope the adventure transports them as it did me.

If you’d like to find out more about Fourteen Stones, you can visit the book’s own page. Also, on Thursdays here on the blog, the story’s people will introduce themselves: that series began last week, with this post. If you’d like to stay up to date with future info and events, please consider subscribing. As always, thank you for visiting the blog!

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